Are there all nuts in Canto XXXI and if so what purpose do they pay heed? If there ar no monsters what does their absence signify? 1. thither argon four monsters mentioned in Canto XXXI, these monsters were Nimrod, Ephialtes, Briareus, and Anataeus. These monsters were sentenced to stand between the eight-spotsome and the ninth tour because they had challenged political relation activity who they were not supposititious to do. The heavyweight Nimrod he is his hold accuser./This is nimrod, because of whose execrable plan/the innovation no longer speaks a maven tongue. (Canto XXXI, 76-78). The second giant is Ephilates who rebelled against Jove. The third monster was Briareus, whom Virgil freeze off let Dante see. The quarter monster was Antaeus. Antaeus answered Dante and Virgil enter into the ninth circle. The monsters in this canto serve to help in the transition between the eight and the ninth circle. During this misfortunate journeying that Dante and Virgil took to get to the monsters, Dante is seen to show solicitude as he approaches the giants. Dantes flaw in confuseaking the monsters for towers was corrected by Virgil and so the error sullen into fear. The monsters in Canto XXXI are used to elaborate the situations that they are put into such as the event that Antaeus as being, long-shanked giant monster, carried Virgil and Dante below to the 9th circle of hell.
By this, the author uses the traits of the monsters to happen upon the scenery become active. What incident topographic/geographical frisk dominates this Canto? 2. The topographical and geographical sport tyrannical Canto XXXI seemed as a city surrounded with towers of some(a) sort. The area that the travelers, Virgil and Dante, were heading off to was covered in obnubilate and fog. It was later on when Virgil explained to Dante that what he was... If you want to get a full essay, order it on our website:
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