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Thursday, September 26, 2013

Madame Bovary by Gustave Flaubert

The nineteenth century adult female lived a life weak by hands. Their lives were dictated by their husband and his choices. Consequently, their lives were curb by the limitations of their gender in addition to the boundaries of class. This led to the aim for women, in wander to obtain some sense of freedom, to pursue a man of higher class and overcome the boundaries between classes. In the novel Madame Bovary by Gustave Flaubert, these characteristics of the 19th century society atomic number 18 all prevalent. Flaubert portrays this suppression of women by men and their societal hierarchy through the illustrious use of symbolism. Madame Bovary is a typical 19th century middle class woman who is bounded by her gender and aspires to transcend the limitations of her class. While windlessness being married, Madame Bovary pursues many romantic engagements in order to bring through her sensual desires and her need to become of the higher class. However, her desires eve ntually remove her and lead to her net demise. In Madame Bovary, Gustave Flaubert repeatedly uses windows, the child, and horses to reveal the impotency and suppression of women in the 19th century. Through the use of windows, Flaubert characterizes Madame Bovary as a suppressed woman constantly bound by her marriage and status. The windows in Madame Bovary facilitate the dreams and aspirations of the Emma Bovary.
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Upon meeting Charles for the first time, Emma is shown sodding(a) through a window into her garden dreaming of the calamity of marriage and trifle. However, later on their union, when Emma is disillusioned from the false romance of romance novels, sh! e passes ?three windows whose forever and a day disagreeable shutters were rattling away on their rusty campaign nix? (43). Flaubert?s reference to these closed windows during Emma?s disillusion shows her feelings of entrapment with a man who could not... If you want to get a replete essay, order it on our website: OrderCustomPaper.com

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