The play opens with Nora and the porter, and it immediately puts the Es

The play opens with Nora and the porter, and it immediately puts the spotlight on money, which emerges as one of the forces hotheaded the plays conflictsAnalysisThe play opens with Nora and the porter, and it immediately puts thespotlight on money, which emerges as one of the forces driving theplays conflicts as it draws lines mingled with genders, classes, and moralstandards. Though Nora owes the porter a shilling, she gives him apound, twenty clock the value, presumably because she is infused withthe holiday spirit. While Nora likes to spend and allows the idea ofbuying presents to gag law out pecuniary concerns, Torvald holds a morepragmatic view of money, facetiously calling Nora a spendthrift andtelling her that she is completely foolish when it comes to financialmatters.Torvalds assertion that Noras lack of understanding of money mattersis the contribute of her gender Nora, my Nora, that is just like a womanreveals his prejudiced rack on women. He quickly makes it known that appearances are very primary(prenominal) to him, and that Nora is like anornament or trophy that serves to his home and his reputation.Noras first-class honours degree communication with Mrs. Linde plays a key role inestablishing Noras childlike, self-centered, and unresponsivecharacter. Though she claims to be interested in Mrs. Lindesproblems, Nora repeatedly turns the conversation back to her own lifewith Torvald. Noras self-centeredness is further exhibit in herrevelation that she failed to write to Mrs. Linde after her husbandpassed away. It is only now, common chord years after the fact, that Noraexpresses her sympathy up to this point, she has made no driving force tothink beyond herself, and the fact that she does so now seems ... ...ut her husband in a good mood by mentioning the costume that shewill be wearing at the dance. The thought of Nora dressed up andlooking delightful excites Torvald, who takes great pleasure in thebeauty of his house and his wife.Tor valds watch about KrogstadI honestly feel sick, sick to mystomach, in the bearing of much(prenominal) peopleillustrates his deep contemptfor moral corruption of Krogstads sort. While he thinks that such abad character is in direct contrast to his sweet little Nora, we areaware that Krogstad and Nora lead committed exactly the samecrimeforgery. Torvald, then, has unwittingly referred to Nora when hescorns such people. Torvalds unknowing condemnation of the actionsof the woman he loves is an excellent typesetters case of dramatic irony, adevice that makes the audience see details of which current charactersare ignorant too.